A film class working late in a classroom turned into a production office, a stripboard pinned across the back wall

Education

Education Program

Teach production the way a set runs it.

One project the whole class works in, from the first draft to the last cut. Classes that test it on real films run on Pro, paid for in feedback.

Every phase of the film in one place

A class works the way a set works: first draft to final cut, with the shoot days and the edit in between.

01

Development

  • Screenwriting
  • Script import (FDX/PDF)
  • Script breakdown
  • Mood boards
  • Storyboards
02

Pre-Production

  • Shot lists
  • Scheduling / stripboard
  • Day Out of Days
  • Budgeting
  • Call sheets
  • Deal memos & e-signatures
  • Location scouting
03

Production · on set

  • Native crew apps
  • Live crew map
  • Errand dispatch
  • Crew comms & dept chat
  • Call-sheet delivery
  • Video Village (live monitor)
  • Takes capture
04

Post-Production

  • Takes review & circle takes
  • In-browser editing
  • Timelines
  • EDL / Premiere / Final Cut export

The same tools a working crew runs on, so the habits carry over to the first job.

A class that works like a crew

Students break the script down, build the stripboard, cost the days and print the call sheets. Then they shoot off them. The teacher can open every step of it, and nobody has to collect a folder of spreadsheets on Friday.

Sign up for CSF with your school email (a .edu address, say) before you apply.

What the class works in

The tools, the shoot, and what students walk away with.

The Scenes tab after a breakdown, each scene with its heading, time of day, page eighths and the characters in it

The whole production toolkit

Script breakdown, storyboards, shot lists, stripboards, budgets, call sheets, deal memos. The same tools paid crews run on.

The projects list: three films as cards with their format, genre, crew count and what stage each is at

Every film in one list

Each assignment, thesis film and student crew has its own project, with the people on it and the stage it has reached.

The Team tab: an invite row above a crew list naming each member and the role they hold

Read the work as it lands

Join each student project and read the breakdowns and schedules while they are being built. Notes land while there is still time to act on them.

A student crew shooting on a campus walkway, one filming on a phone rig while another checks the schedule

The class shoots off a real call sheet

The schedule a class builds prints the call sheet the crew turns up on, and the crew app puts it in every pocket.

An instructor and two students watching a take back on a laptop in an equipment room

The takes come back to the project

Footage from the day lands beside the script and the schedule it came from, ready to watch back and cut.

Your work leaves with you

Export the script, the schedule, the budget and the cut in formats other software reads. When the course ends the files are still yours.

How the trade works

Your class makes real films in CSF. We learn what to fix from how it goes.

  1. 1

    Apply with your school email

    Open a CSF account with your school email, then tell us about the course.

  2. 2

    Run a real class project

    Put a class film in CSF: the script, the breakdown, the schedule, the shoot and the cut.

  3. 3

    Tell us what works and what breaks

    Every project has a thumbs up, a thumbs down and a record button at the top. A short recording of the thing that broke tells us more than a page of notes.

  4. 4

    Stay on Pro while the notes come in

    Classes that keep telling us how it goes keep running on Pro, a term at a time.

    We look at each class again at the end of term.

Apply for education access

Tell us about the course and the films the class will make. Approvals usually take 2–3 business days.

Apply with the same school email your CSF account uses.

Before you apply

Who it is for, and what we ask in return.

Students on the books now, and the people who teach them, at any accredited film school, college or university course. Your school email is the proof.

A person answers these, by email.

Bring real production into the classroom

Teach the work of a real shoot on the tools a real shoot uses, and help us make them better while you do.