All Team Guides

Roles & Positions

TL;DR — CSF ships with 80+ built-in crew positions organized into film departments, each with a default day rate. When you add a position to a project, you get a per-project crew position seeded with that rate — and it feeds straight into budgeting and deal memos.

Built-In Crew Positions

CSF includes a catalog of over 80 crew positions spanning every major film department. The first time any project loads the position list, the shared catalog is seeded automatically with all of the defaults. The catalog is global — the same positions are available to every project — while each project tracks its own day rates.

A sampling of what’s included:

Director
Producer
Executive Producer
Line Producer
Unit Production Manager
Director of Photography
Camera Operator
1st Assistant Camera
DIT
1st Assistant Director
2nd Assistant Director
Script Supervisor
Gaffer
Best Boy Electric
Key Grip
Best Boy Grip
Production Sound Mixer
Boom Operator
Production Designer
Art Director
Set Decorator
Prop Master
Costume Designer
Makeup Department Head
Location Manager
Production Coordinator
Editor
Composer
VFX Supervisor
Sound Designer

And dozens more. Use Browse all positions… in the Team tab to search the full list.

Quick-Add & Browse All Positions

There are two ways to add a position to your project, both at the bottom of the Team tab:

  • Quick-Add chips — one-click buttons for the most common roles.
  • Browse all positions… — opens a search box and a scrollable list of the entire catalog. Type to filter by title or department, then click a row to add it. Each row shows the position title and its department.

Both paths do the same thing: they add a placeholder crew member for that position (a team member plus a linked project crew position). Positions already on your roster are hidden from the chips and the browse list, so you won’t add the same role twice by accident.

Department Groupings

Every crew position belongs to a department. Departments keep the catalog organized and carry over onto each roster entry, which helps structure your budget into logical sections. When you add a position, its department tag comes along automatically.

Story & Rights

Writer, Story Editor

Producing

Producer, Executive Producer, Line Producer, Unit Production Manager, Production Coordinator

Directing

Director, 1st Assistant Director, 2nd Assistant Director, Script Supervisor

Cast

Casting Director, Casting Associate, Extras Casting

Production Staff

Production Manager, Production Assistant

Camera

Director of Photography, Camera Operator, 1st Assistant Camera, DIT, Steadicam Operator

Electrical

Gaffer, Best Boy Electric, Electrician, Board Operator

Set Operations

Key Grip, Best Boy Grip, Dolly Grip, Grip

Art Department

Production Designer, Art Director, Set Designer, Storyboard Artist

Set Construction

Construction Coordinator, Lead Carpenter, Scenic Painter

Set Dressing

Set Decorator, Leadman, Set Dresser, Buyer

Property

Prop Master, Assistant Prop Master

Wardrobe

Costume Designer, Assistant Costume Designer, Costumer, Tailor

Makeup & Hair

Makeup Department Head, Key Makeup Artist, Hair Department Head, SFX Makeup Artist

Sound

Production Sound Mixer, Boom Operator, Sound Utility

Special Effects

SFX Supervisor, SFX Technician

Locations

Location Manager, Assistant Location Manager, Location Scout

Transportation

Transportation Coordinator, Transportation Captain, Driver

Editing

Editor, Assistant Editor

Music

Composer, Music Supervisor, Music Editor

Post Sound

Supervising Sound Editor, Sound Designer, Re-recording Mixer, Foley Artist

Post Visual Effects

VFX Supervisor, VFX Producer, Compositor, 3D Artist

Per-Project Day Rates

Each catalog position carries a built-in default day rate. When you add a position to a project, CSF creates a project crew position seeded with that default as a per-project rate you can adjust. Changing the rate on one project doesn’t affect other projects or the global default.

These per-project rates are the numbers your budget draws on. Crew line items pull their day rates from the project’s crew positions, so your department totals reflect your actual team composition and negotiated costs.

How Roles Feed Into Budgeting & Deal Memos

  • Budgeting: crew positions and their per-project day rates populate budget line items, grouped by department.
  • Deal Memos: when you build a deal memo you pick a specific team member, and their role carries into the memo.
  • Scheduling & call sheets: the crew on your roster is who you draw from when assigning people to days and call sheets.